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plinth

Photographs taken to bring tourists. And photographs taken by tourists themselves. Some minor details are always missing between these two. In my case it was a long line of big-boned women clad in ghaghra, choli and odhni or the veil, balancing earthen water pots on arcing hips tracing a colourful line like the Madhubani-painted Bihar Sampark Kranti Express pootling along the platform. I saw this in some tourism literature while attending the Jaipur Literature Festival and was instantly enamoured – equally by the women as by the setting. Coy heads

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